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Flotsam, by David Wiesner
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A bright, science-minded boy goes to the beach equipped to collect and examine flotsam--anything floating that has been washed ashore. Bottles, lost toys, small objects of every description are among his usual finds. But there's no way he could have prepared for one particular discovery: a barnacle-encrusted underwater camera, with its own secrets to share . . . and to keep.
Each of David Wiesner's�amazing picture books�has revealed the magical possibilities of some ordinary thing or happening--a frog on a lily pad, a trip to the Empire State Building, a well-known nursery tale. In this Caldecott Medal winner, a day at the beach is the springboard into a wildly imaginative exploration of the mysteries of the deep, and of the qualities that enable us to witness these wonders and delight in them.
- Sales Rank: #8608 in Books
- Brand: Clarion Books
- Model: HO-9780618194575
- Published on: 2006-09-04
- Released on: 2006-09-04
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 9.75" w x .50" l, 1.18 pounds
- Binding: Hardcover
- 40 pages
Features
- Flotsam
- Category: Classics
- Childrens Books & Music
- Childrens Books
About the Author
David Wiesner has won the Caldecott Medal three times—for Tuesday, The Three Pigs, and Flotsam—the second person in history to do so. He is also the recipient of two Caldecott Honors, for Free Fall and Mr. Wuffles. Internationally renowned for his visual storytelling, David has brought his artistry and his fascination with undersea life to a new genre, the graphic novel. He lives near Philadelphia with his family.
Review
"Wiesner offers another exceptional, wordless picture book that finds wild magic in quiet, everyday settings." Booklist, ALA, Starred Review
"New details swim into focus with every rereading of this immensely satisfying excursion." Publishers Weekly, Starred
"A mind-bending journey of imagination." School Library Journal, Starred
"In Wiesner's much-honored style, the paintings are cinematic, coolly restrained and deliberate...An invitation not to be resisted." Kirkus Reviews, Starred
"Wiesner's detailed watercolors make the absurd wonderfully believable...and children will surely love 'Flotsam' from start to finish." New York Times Book Review Notable Book
"The meticulous and rich detail of Wiesner's watercolors makes the fantasy involving and convincing." Horn Book
"Wiesner continues to show children that things aren't always what they seem. Would the Caldecott committee consider a three-peat?" Bookpage
"Wiesner returns with his traditional wordless-narrative format for another fantastical outing." Bulletin of the Center for Children's Books
From Booklist
PreS-Gr. 2. As in his Caldecott Medal Book Tuesday (1991), Wiesner offers another exceptional, wordless picture book that finds wild magic in quiet, everyday settings. At the seaside, a boy holds a magnifying glass up to a flailing hermit crab; binoculars and a microscope lay nearby. The array of lenses signals the shifting viewpoints to come, and in the following panels, the boy discovers an old-fashioned camera, film intact. A trip to the photo store produces astonishing pictures: an octopus in an armchair holding story hour in a deep-sea parlor; tiny, green alien tourists peering at sea horses. There are portraits of children around the world and through the ages, each child holding another child's photo. After snapping his own image, the boy returns the camera to the sea, where it's carried on a journey to another child. Children may initially puzzle, along with the boy, over the mechanics of the camera and the connections between the photographed portraits. When closely observed, however, the masterful watercolors and ingeniously layered perspectives create a clear narrative, and viewers will eagerly fill in the story's wordless spaces with their own imagined story lines. Like Chris Van Allsburg's books and Wiesner's previous works, this visual wonder invites us to rethink how and what we see, out in the world and in our mind's eye. Gillian Engberg
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
176 of 192 people found the following review helpful.
Full fathom five thy father lies
By E. R. Bird
I suppose that there must be some people in world for whom the name "David Wiesner" means nothing. I can't fathom what this kind of an existence must be like. I suppose it would be the literary equivalent of not knowing what chocolate was. Or snow. The minute the new Wiesner book comes out I, like hundreds of thousands of others like me, rush out to purchase it for friends, relatives, and passing acquaintances I met once in the grocery store. Little wonder that the man has won two Caldecott Medals AND two Caldecott Honors. Now one of those numbers is about to change since Wiesner has produced his most ambitious creation to date. Wordless (as always) and more intense than his light-hearted "Tuesday" and "Sector 7" ever were, this is a book overflowing in deep-water mysteries and delights.
A scientifically minded young man is closely examining the various critters and crabs he finds washed up along the beachshore when he's suddenly doused in a wave. When he emerges he's sitting on the sand with an old-fashioned camera beside him. On its front are the words, "Melville underwater camera". Intrigued, the boy plucks out the film and takes it to a one hour photo store. The pictures he get back, however, are nothing a person could imagine. Mechanical fish swimming with real ones, hot-air pufferfish, entire civilizations living on the backs of gigantic starfish... and that's just the tip of the iceberg. The last photo, however, is the most interesting of them all. In it, a girl holds a picture of a boy holding a picture of a boy, holding a picture of a girl, and so on. Our boy gets out his magnifying glass and sees even more pictures of kids holding pictures of kids. And when he gets out his microscope he can see all the way back to the very first picture in the batch ever taken. When last we see of our hero he has taken a picture of himself holding the last photo with the Melville camera. Then he tosses it into the sea, where we see it acting out a couple of adventures until the last picture in the book. A girl on a tropical beach reaches for the camera, half-buried in the sand.
That was less of a summary and more a retelling of the entire book, I know. I have a hard time with encapsulation when I find myself so deeply in love with a picture book. And now I'm having a very hard time figuring out what to coo over first. Let's talk details. Wiesner may well be the king of them. Some people see his work as a colorful version of Chris Van Allsburg. I can see where these people are coming from, but Van Allsburg is far more interested in tone and mood than in meticulously researched, thought through details. Consider what Wiesner has accomplished with, "Flotsam". First of all, there isn't a single thing that happens in this book that feels out of place or out of the blue. For example, at the end of this story our hero takes a picture of himself with the picture of the multiple kids. So where did he get the film? Well, if you track back to when he was getting the film developed, you see him purchasing some 120 color film (which is Kodak yellow, though Wiesner's too classy to put in any product placement). Another remarkable detail? Look at all the pictures of the children. As they go back in time their hair and clothing styles change accordingly. You can see that the child from the 1980s is holding a picture of a child from the 1970s. Then, after a while, we're in the 50s, the 40s, the 30s, and finally we're at the turn of the century. The film is black and white by this point, but when you consider what kind of camera we're dealing with that makes perfect sense. Wiesner even beveled the edges of the 1950s picture.
So that's the realistic part of the book (so to speak). The crazy underwater stuff is interesting in an entirely different way. Who thinks up gigantic starfish with islands on their heads? Or tiny aliens vacationing alongside some somewhat weirded-out seahorses? It's here that Wiesner really lets himself go all out. Kids who've read his previous books may also enjoy seeing his collection of flotsam items on the title pages. The black and white pig may also look especially familiar to them...
Great story. Great illustrations. Great great book. If the storytelling style (almost comic-like in its use of panels and divisions) doesn't get you then the outright well-thought out wonderfulness of it all will. An amazing addition to any collection. Your kids will never look at the sea the same way again.
36 of 37 people found the following review helpful.
the infinite pleasure of having a child 'read' you a story
By Jesse Kornbluth
The little one is presently holding steady at age "four-and-a-half-and-three-quarters-but-in-my-head-I'm-seven." And boy, is she ready to read.
We're delighted. And we want to encourage her. (Which does not extend to teaching her how to read; we are old, our reservoir of patience is not what it once was, it's better to let the experts at her high-priced school do the job.) So we get her the picture books of David Wiesner and ask her to tell us their stories.
Wiesner is the acknowledged master of wordless books for kids. (All three of the Wiesner books we own --- Tuesday, Three Pigs and Flotsam, his most recent book --- have won the Caldecott Medal.) It's not just that he draws beautifully and that his pictures allow a child aged 4 through 7 to tell the story. His greater gift is his refusal to talk down. His books are challenging. They are invitations to consider the story later, to broaden a child's sense of the world --- or, more accurately, they reflect the ability of most children to dream big and think poetically.
"Flotsam," for example, takes us to the beach. A well-equipped boy --- he's got a magnifying glass, binoculars and a microscope --- is digging and exploring while his parents read. He's so fascinated by a crab he doesn't see a rogue wave rolling in; when it rolls out, there's an ancient box camera at his feet. He shows it to friends, who are predictably puzzled. (Film inside? What, no digital chip?) And he takes the film to be developed at a one-hour photo shop.
Back at the beach, the boy looks at the pictures. One is of fish --- but some of the fish have gears. In another, sea creatures sit on lounge chairs in an underwater living room. A puffer becomes a hot air balloon. A village of shells travels on the back of a turtle. Aliens have a party on an underwater terrace. Giant starfish walk in the shallows.
And then there is the picture of a Japanese girl. She's holding a picture of another kid, who's holding a picture of another kid, who's holding....The magnifying glass isn't powerful enough; this is a job for the microscope.
And now, as we look deeper into the pictures, we are moving back into time. The decades fly by --- we end in the late 19th century, looking at a boy on the beach. Which gives our inquisitive lad an idea: He'll take a self-portrait using this old camera.
As soon as he snaps the shutter, he's hit by another wave. The photos scatter. The boy thinks for a moment, then throws the camera into the water. We see it float in the moonlight. Get pulled by a squid. Become a carriage for sea horses. Fly in the bill of a pelican. Float on an iceberg. And, at last, wash up on a beach.
A little girl, sitting on the beach, sees the camera. She reaches for it....
That's only half the story. The lesser half, really. The much larger part begins with your kid saying, "I want to read that book." And then, in her little voice, she tells you a story.
51 of 56 people found the following review helpful.
Fabulous Wiesner
By Doug - Haydn Fan
David Wiesner's fans will be tickled pink with his latest book. Flotsam takes for its setting the Jersey seaside and the author's memories of his trips to the beach as a young boy. (The back flap of the dust jacket has a color photo of Wiesner as a five year old looking perfectly suited to slip right into his book!) Painted quite appropriately in watercolors, and utilizing a horizontal format, with pages wider than they are tall, the book perfectly captures the reflection of light at the seaside while framing the spacious broad strech of blue waterline against the long strip of sandy beach. Opening with a long shot of a young boy digging at the tideline with his bucket we turn the page to find ourselves staring face-to-face with an enormous hermit crab! Looking again we realize the crab is not sitting on beach sand but the boy's upturned palm, while an enormous eye - the boy's eye seen through a magnifying glass - gazes down behind the upturned twitching two eyes of the crab. Then things jump back to regular size on the next page but only for a moment as Wiesner constantly shifts the size and format of each step of his silent story. Like the boy we are meant to look carefully and from every possible angle. The title marvelously conveys the narrative method as mysterious snapshots flit back and forth with a young boy's curiousity of what lies out beyond the waves. Mr. Wiesner achieves almost a perfect storyboard, deftly mixing and merging images of varying sizes with his now unequalled mastery of visual storytelling, the sum producing an utterly delightful experience. Large sea turtles, their backs bedecked with villages of shell grottos sail through the water with the same wonderful stillness as the magical pigs in Tuesday. The becharmed juxtaposition of imagination and reality is reinforced in the name of the old-fashioned box camera washed ashore: Melville. And like Melville's epic Moby Dick factual data coexists side by side with the wildest fancies. Here whales can appear as a single enormous eye - the theme of the book is looking and how we record impressions - or as small guppies swimming below gargantuan walking starfish the size of tropical islands. Scale and perspective are handled with Wiesner's virtuoso touch; there is never any sense of heaviness or display for its own sake. His colors have never been richer or more brilliantly managed - the rich hues of a scene with small aliens as underwater tourists is quite the equal of William Joyce's palette. Somehow even the ebb and flow of the waves comes across in this brilliantly achieved work.
Combining the child's eye and imagination of Sector 7 with the dizzying draughtmanship and narrative gamemanship of The Three Pigs, Flotsam finds Wiesner the most brilliant Children's Book illustrator currently active. Despite all the gushing about Van Allsburg in the official notes it's now clear that these days Wiesner is working on a more exalted level of artistry.
P.S. Do take off your dustjacket for a surprise!
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