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Sindiwe Magona's novel Mother to Mother explores the South African legacy of apartheid through the lens of a woman who remembers a life marked by oppression and injustice. Magona decided to write this novel when she discovered that Fulbright Scholar Amy Biehl, who had been killed while working to organize the nation's first ever democratic elections in 1993, died just a few yards away from her own permanent residence in Guguletu, Capetown. She then learned that one of the boys held responsible for the killing was in fact her neighbor's son. Magona began to imagine how easily it might have been her own son caught up in the wave of violence that day. The book is based on this real-life incident, and takes the form of an epistle to Amy Biehl's mother. The murderer's mother, Mandisi, writes about her life, the life of her child, and the colonized society that not only allowed, but perpetuated violence against women and impoverished black South Africans under the reign of apartheid. The result is not an apology for the murder, but a beautifully written exploration of the society that bred such violence.
- Sales Rank: #462874 in Books
- Published on: 2000-09-15
- Released on: 2000-09-15
- Original language: English
- Number of items: 1
- Dimensions: 7.98" h x .66" w x 5.37" l, .59 pounds
- Binding: Paperback
- 224 pages
From Publishers Weekly
The senseless killing of Amy Biehl, a young Fulbright scholar who had gone to South Africa to help residents prepare for the first democratic elections in the history of that country, is the basis for this novel. On the day before she was scheduled to return home to America in August 1993, Amy gave a ride to several co-workers who lived in the poverty-ravaged all-black township of Guguletu. Rioting students pulled her from her car and stabbed her. South African novelist and short story writer Sindiwe Magona eschews a tabloid recreation of the crime, envisioning instead the world of Amy's killers, and creating in Mandisa, the mother of one of those young men, a martyr whose heart and life reflect the tragedy of apartheid. As her son Mxolisi's guilt is revealed, Mandisa mourns him, equating her loss with Amy's mother's. Determined to strike a common chord of grief with the woman she views as her Sister-Mother, Mandisa laments the circumstances of her own life, thereby hoping to explain her son's actions. She recalls with affecting clarity her coming of age in a stern but loving community whose reliance on established customs are a refuge from the relentless and brutal change instigated by the government's apartheid policy. Happy until the age of nine, when her family is forced to relocate to a desolate patch of land, Mandisa becomes a mother at 15 and a housemaid shortly thereafter. Mxolisi's introduction to racial violence occurs as a child, when he witnesses the shooting deaths of two older boys whom he idolizes; by age 20, he's become a respected leader of the student revolutionary movement. Although Magona's pacing seems irritatingly slow at times, the mood becomes taut as Mxolisi and Amy approach their moment of destiny in this chilling and ingenious docudrama, a noteworthy American debut for a writer whose work has received well-deserved praise in her own country. 3-city author tour. (Oct.)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Based on the death of Amy Biehl, a white American student killed by black youths in South Africa in 1993, this novel looks at the murder through the eyes of the killer's mother (in the novel, only one youth committed the crime). In a letter to the murdered woman's mother, Mandisa tells the story of her oldest son, Mxolisi, born when she was 14. Growing up under apartheid, with little education, crushing poverty, and no hope for the future, Mxolisi becomes one of the lost ones, so full of rage that every white face becomes the enemy and freedom is won only through blood. Yet as Magona shows, each character must share some responsibility for the tragedy that destroys two families, making this more than simply a novelization of a headline. Magona's portrayal of one mother's suffering is written with depth, honesty, and compassion for all of apartheid's victims. First published in South Africa in 1998, this is recommended for large public libraries and libraries with collections of modern African literature.AEllen Flexman, Indianapolis-Marion Cty. P.L.
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
A black South African writer, now New Yorkbased, debuts with a novel that, as it seeks to explain the real-life 1993 murder of young American Amy Biehl, is often more an angry indictment of apartheid (justified) and of whites in general (less justified). Biehl was an idealistic Fulbright Scholar who, while working on a democracy project, was dragged from her car in a black township and stabbed to death by a mob of young blacks. The Biehl family has been remarkably forgiving, though the youths were subsequently released. The narrative takes the form of an imaginary letter written to the young womans mother by Mandisa, the mother of one of the accused, 20-year-old Mxolisi. She attempts to elucidate why her gentle son became a killer, recalling her own childhood and the brutal relocation of her entire community to Guguletu, a segregated area in a barren place far from the city. At 15, she accidentally became pregnantwhich, as much as apartheid, led to a hard life for both mother and son: Mandisa, forced to leave school, became a maid and reared Mxolisi alone. Eventually, bright Mxolisi also dropped out of school, in his case because Mandisa could no longer afford his textbooks. He was soon active in the ``No Education Before Liberation'' movement of the late 1980s, as black children left the classrooms for the streets to protest apartheid in increasingly violent ways. Popular and gifted, he became a leader of the gang that would turn murderous. The story, a heartfelt brief in support of a son and a lost generation, has a vehement, polemical tone. Whites are described as the ``scourge `' that must be removed; Mandisa tells Mrs. Biehl that ``people like your daughter have no inborn sense of fear. They so believe in their goodness'' that it ``blinker(s) their perception.'' The prose is also uneven, and the voice far too sophisticated for a narrator of supposedly limited education. A disappointing take on a vital, relevant subject. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
I feel in love with her work and especially her narrative voice
By Nisaimani
After being taught by Sindiwe Magona in a life writing class at GSU, I feel in love with her work and especially her narrative voice.The novel begins with a letter writing my Mxolisi’s mother, Mandy, as her Madam knows her. The narrative is always very concise and descriptive. The first is just as enticing as the lines that follow. “My son killed your daughter” (Magona, p1). Although the riddle is solved and the readers are not left wondering who did it, this line creates a lot of puzzlement within the reader. Questions about the son but most importantly the mother, which I found to be a brilliant perspective to use for this particular topic. Although the letter ends the style of short and descriptive sentences continue. Professor Magona always reiterated the importance of setting and in this novel it is crucial because the setting is the most influential character. This story is told through the somber and apologetic eyes of a mother who no longer sees potential in her surroundings. It's honesty is refreshing and disheartening at the same time. Which makes for a great timeless read.
1 of 1 people found the following review helpful.
Sometimes it Takes a Death: Mother to Mother - a Book Review
By Tichaona M. Chinyelu
Drawing from the 1993 killing of Amy Biehl in apartheid-era South Africa, Mother to Mother, a novel by Sindiwe Magona, shares with us a different perspective. Literature about murders of white people by black people tend to avoid the women in the killer's life - unless it's framed in terms of pathology. In Native Sun, for instance, the women were silent [as well as the first to be killed]. It is very rare for such women to be allowed to narrate their own life stories. With her quietly powerful novel, Magona has changed that dynamic.
From the author's preface (abbreviated):
Fulbright scholar Amy Elizabeth Biehl was set upon and killed by a mob of black youth in Guguletu, South Africa in August 1993. The outpouring of grief, outrage and support for the Biehl family was unprecedented in the history of the country.
[---]
In my novel, there is only one killer. Through his mother's memories, we get a glimpse of human callousness of the kind that made the murder of Amy Biehl possible. And here I am back in the legacy of apartheid - a system repressive and brutal, that bred senseless inter- and intra-racial violence as well as other nefarious happenings; a system that promoted a twisted sense of right and wrong, with everything seen through the warped prism of the overarching crime against humanity, as the international community labelled it.
The mother, Mandisa, had her oldest child, Mxolisi - the one who, through his actions, catapults her into narration - when she was a 15 year old school girl. It has to be noted that, at the time of her pregnancy. Mandisa was a virgin. The inclusion of an African immaculate conception raises immediate questions concerning Magona's intent. Was it by design - the correlation between Mary and Mandisa and Jesus and Mxolisi. Or was it simply happenstance - a byproduct of the story line? Considering that Mother to Mother is Magona's first novel (although not her first book), the latter might be more legitimate.
The legitimacy of the questions, however. is overshadowed by the undeniable fact that both Mxolisi and Jesus were instrumental in bringing about changes in their respective status quos. As a result of the crucifixion of Jesus, Christianity became a potent force in the world. Subsequent to the killing of Amy Biehl, the death knoll for apartheid - which had been slowly but steadily ringing for decades - increased in volume to the point that it no longer was a "knoll" but a toyi toyi, the martial dance which symbolized the determination of South Africa's majority black population to never again live as a disenfranchised minority.
Going the Jesus route, however, in explaining the murder of Biehl sidesteps the question Mandisa herself asks, over and over again.
What was she doing, vagabonding all over Gugulethu, of all places; taking her foot where she had no business? Where did she think she was going? Was she blind not to see there were no white people in this place?
Or does it? Did Amy Biehl demonstrate a god complex by treading where no white person went? Did she think her presence in South Africa as a well meaning white person assisting with the transition to a democratically elected government would protect her from repercussions of apartheid? Was she so divorced from the harsh reality that produced slogans like one settler, one bullet that she thought it perfectly logically to drive her black companions to Gugulethu?
There will probably never be a definitive answer to such questions. However, Mandisa herself provides a perspective - one that both reinforces the primacy of her life as well as highlights of the consequences of disconnectedness.
Now, your daughter has paid for the sins of the fathers and mothers who did not do their share of seeing that my son had a life worth living.
Mother to Mother (Bluestreak)
0 of 0 people found the following review helpful.
Sad, very sad.
By settledsue@aol.com
At first I wasn't sure I wanted to read this, but I'm glad I did. I learned some things I hadn't known about apartheid and was really drawn into the harsh realities of the lives of the narrator and her family.
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