[Q387.Ebook] Download Ebook When the Prisoners Ran Walpole: A True Story in the Movement for Prison Abolition, by Jamie Bissonette

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In 1971, Attica’s prison yard massacre shocked the public, prisoners, and political leaders across the United States. Massachusetts residents pledged to prevent such slaughter from ever happening there, and the governor agreed. Thus began a move for reform that eventually led to the prisoners at Walpole’s Massachusetts Correctional Institute winning control of its day-to-day operations.

When the Prisoners Ran Walpole brings this vital history to life, revealing what can happen when there is public will for change and trust that the incarcerated can achieve it. In the months before they took over running the maximum-security facility in 1973, prisoners and outside advocates created programs that sent more prisoners home for good, slowing the turn of the famous revolving door by 23 percent and decreasing Walpole’s population by 15 percent.

When guards protested the changes they saw as choking their livelihoods, finally refusing to run the prison, the prisoners stepped ably into the void—and all-out peace ensued. They shrank the murder rate from the highest in the country to zero. Even more significantly, they worked hard to bury racial antagonism and longstanding feuds so even “lifers” with no hope of going home could find ways to live together, learn, and grow—to regain, finally, the humanity that the system intended to squash.

Critical to the work of prison abolitionists and transitional reformists alike, this groundbreaking history offers a real-life example of a prison solution many see only as theoretical. It not only reminds us why people seek to make prisons obsolete, but also recalls a time when we were much closer to these abolitionist goals.

Jamie Bissonette, co-director of an AFSC (American Friends Service Committee) Criminal Justice Program, wrote her inspiring account with the aid of the complete archives and interviews bestowed to her by the prisoners, outside advocates, and policymakers who created this remarkable history.

• Sales Rank: #1509464 in Books
• Brand: Brand: South End Press
• Published on: 2008-04-04
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .50" w x 6.00" l, .80 pounds
• Binding: Paperback
• 272 pages

Features

• Used Book in Good Condition

About the Author
Jamie Bissonette is a Native American poet, painter, mother of two and co-director of the AFSC Criminal Justice Program in New England. A grassroots intellectual and self-made criminologist, Bissonette has worked to reform and abolish the prison system for over 30 years. Her current focus is ending all imposition of solitary confinement.

Most helpful customer reviews

3 of 12 people found the following review helpful.
Fictive pseudo-sociology
By Henry Barth
This book is a fictive account of an actual prison. Two of the researcher-authors, Robert Dellelo and Ralph Hamm -- whose names no longer appear in the Amazon listing for the book -- were of course framed by that amorphous State that always smacks down true revolutionaries. Suffice it to say, both men were convicted of capital crimes and found guilty through numerous appeals. The facts of their crimes are omitted from the book, not that they matter other than as background in helping us understand the characters.

Bissonnette has read her Frantz Fanon, but doesn't seem to realize that the world has moved on from that faux-Marxism. She forgets that the enemy guards are also working-class.

Their ideal of a "peaceful prison reform" is 6'4" Ralph Hamm patrolling the cellblocks wearing a long trench coat and wielding a machete. Rather obviously, he had seen too many films.

For a first-hand and true view of Walpole written at the same time as this book, try to find a copy of "In Constant Fear" by Peter Remick.

Inmate Remick was NOT in fear of the guards.

When the Prisoners Ran Walpole : A True Story in the Movement for Prison Abolition by Jamie Bissonnette, Ralph Hamm (With) , Robert Dellelo (With)

5 of 7 people found the following review helpful.
Can we govern ourselves?
By cvairag
America: less than 1/6 of the world's population - more than 25% of the world's prison population.

The 1971 Attica massacre shocked the world into awareness of the pervasive violence perpetrated by state authorities in our prisons. In Massachusetts, voters pledged to prevent such slaughter from ever happening there, and the governor agreed. The reform initiative that resulted led to the prisoners at Walpole's Massachusetts Correctional Institute winning control of its day-to-day operations.
The prisoners, working with 1530 civilian volunteers, won control of the operation of a maximum-security prison. The book, authored by a prison abolitionist, reveals what can happen when there is public will for change and trust that the incarcerated can achieve it. In the months before they took over running the maximum-security facility in 1973, prisoners and outside advocates created programs that sent more prisoners home for good, reducing recidivism 23 percent and decreasing Walpole's population by 15 percent.
When guards protested the changes they saw as choking their livelihoods, finally refusing to run the prison, the prisoners stepped ably into the void--and all-out peace ensued. They shrank the prison murder rate from the highest in the country to zero. Even more significantly, they worked hard to bury racial antagonism and longstanding feuds so even "lifers" with no hope of going home could find ways to live together, learn, and grow--to regain, finally, the humanity that the system intended to squash.
Critical to the work of prison abolitionists and transitional reformists alike, this groundbreaking history offers a real-life example of a prison solution many see only as theoretical. It not only reminds us why people seek to make prisons obsolete, but also recalls a time when we were much closer to these abolitionist goals.

The history of Walpole, at its grittiest, shows that we do not need a police state to 'help' us live our lives, and that, in the final analysis, we'd be better of without the so-called 'security' measures provided by the state and the entities of enforcement which under the pretense of 'justice' enforce the inequities resulting from the disregard of human value which must be overcome if we are ever, ever to live peacefully in this world. A history and an argument which could not be more timely and appropo. Rather than trusting in the almighty dollar, or the strength of institutions, recognition of our fellow humanity seems like the best place to begin.

2 of 3 people found the following review helpful.
An optimistic yet critical to both sides of the debate
By Midwest Book Review
Is the current prison system in desperate need of reform? "When the Prisoners Ran Walpole: A True Story in the Movement For Prison Abolition" is a look at the concept of prisons and how a group of prisoners in 1973 managed to set forth change successfully, by keeping the peace within their ranks as their guards went on strike. An optimistic yet critical to both sides of the debate, "When the Prisoners Ran Walpole: A True Story in the Movement For Prison Abolition" is highly recommended for community library social issues collections and for any prison administrator.

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Sindiwe Magona's novel Mother to Mother explores the South African legacy of apartheid through the lens of a woman who remembers a life marked by oppression and injustice. Magona decided to write this novel when she discovered that Fulbright Scholar Amy Biehl, who had been killed while working to organize the nation's first ever democratic elections in 1993, died just a few yards away from her own permanent residence in Guguletu, Capetown. She then learned that one of the boys held responsible for the killing was in fact her neighbor's son. Magona began to imagine how easily it might have been her own son caught up in the wave of violence that day. The book is based on this real-life incident, and takes the form of an epistle to Amy Biehl's mother. The murderer's mother, Mandisi, writes about her life, the life of her child, and the colonized society that not only allowed, but perpetuated violence against women and impoverished black South Africans under the reign of apartheid. The result is not an apology for the murder, but a beautifully written exploration of the society that bred such violence.

• Sales Rank: #462874 in Books
• Published on: 2000-09-15
• Released on: 2000-09-15
• Original language: English
• Number of items: 1
• Dimensions: 7.98" h x .66" w x 5.37" l, .59 pounds
• Binding: Paperback
• 224 pages

From Publishers Weekly
The senseless killing of Amy Biehl, a young Fulbright scholar who had gone to South Africa to help residents prepare for the first democratic elections in the history of that country, is the basis for this novel. On the day before she was scheduled to return home to America in August 1993, Amy gave a ride to several co-workers who lived in the poverty-ravaged all-black township of Guguletu. Rioting students pulled her from her car and stabbed her. South African novelist and short story writer Sindiwe Magona eschews a tabloid recreation of the crime, envisioning instead the world of Amy's killers, and creating in Mandisa, the mother of one of those young men, a martyr whose heart and life reflect the tragedy of apartheid. As her son Mxolisi's guilt is revealed, Mandisa mourns him, equating her loss with Amy's mother's. Determined to strike a common chord of grief with the woman she views as her Sister-Mother, Mandisa laments the circumstances of her own life, thereby hoping to explain her son's actions. She recalls with affecting clarity her coming of age in a stern but loving community whose reliance on established customs are a refuge from the relentless and brutal change instigated by the government's apartheid policy. Happy until the age of nine, when her family is forced to relocate to a desolate patch of land, Mandisa becomes a mother at 15 and a housemaid shortly thereafter. Mxolisi's introduction to racial violence occurs as a child, when he witnesses the shooting deaths of two older boys whom he idolizes; by age 20, he's become a respected leader of the student revolutionary movement. Although Magona's pacing seems irritatingly slow at times, the mood becomes taut as Mxolisi and Amy approach their moment of destiny in this chilling and ingenious docudrama, a noteworthy American debut for a writer whose work has received well-deserved praise in her own country. 3-city author tour. (Oct.)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
Based on the death of Amy Biehl, a white American student killed by black youths in South Africa in 1993, this novel looks at the murder through the eyes of the killer's mother (in the novel, only one youth committed the crime). In a letter to the murdered woman's mother, Mandisa tells the story of her oldest son, Mxolisi, born when she was 14. Growing up under apartheid, with little education, crushing poverty, and no hope for the future, Mxolisi becomes one of the lost ones, so full of rage that every white face becomes the enemy and freedom is won only through blood. Yet as Magona shows, each character must share some responsibility for the tragedy that destroys two families, making this more than simply a novelization of a headline. Magona's portrayal of one mother's suffering is written with depth, honesty, and compassion for all of apartheid's victims. First published in South Africa in 1998, this is recommended for large public libraries and libraries with collections of modern African literature.AEllen Flexman, Indianapolis-Marion Cty. P.L.
Copyright 1999 Reed Business Information, Inc.

From Kirkus Reviews
A black South African writer, now New Yorkbased, debuts with a novel that, as it seeks to explain the real-life 1993 murder of young American Amy Biehl, is often more an angry indictment of apartheid (justified) and of whites in general (less justified). Biehl was an idealistic Fulbright Scholar who, while working on a democracy project, was dragged from her car in a black township and stabbed to death by a mob of young blacks. The Biehl family has been remarkably forgiving, though the youths were subsequently released. The narrative takes the form of an imaginary letter written to the young womans mother by Mandisa, the mother of one of the accused, 20-year-old Mxolisi. She attempts to elucidate why her gentle son became a killer, recalling her own childhood and the brutal relocation of her entire community to Guguletu, a segregated area in a barren place far from the city. At 15, she accidentally became pregnantwhich, as much as apartheid, led to a hard life for both mother and son: Mandisa, forced to leave school, became a maid and reared Mxolisi alone. Eventually, bright Mxolisi also dropped out of school, in his case because Mandisa could no longer afford his textbooks. He was soon active in the ``No Education Before Liberation'' movement of the late 1980s, as black children left the classrooms for the streets to protest apartheid in increasingly violent ways. Popular and gifted, he became a leader of the gang that would turn murderous. The story, a heartfelt brief in support of a son and a lost generation, has a vehement, polemical tone. Whites are described as the ``scourge `' that must be removed; Mandisa tells Mrs. Biehl that ``people like your daughter have no inborn sense of fear. They so believe in their goodness'' that it ``blinker(s) their perception.'' The prose is also uneven, and the voice far too sophisticated for a narrator of supposedly limited education. A disappointing take on a vital, relevant subject. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I feel in love with her work and especially her narrative voice
By Nisaimani
After being taught by Sindiwe Magona in a life writing class at GSU, I feel in love with her work and especially her narrative voice.The novel begins with a letter writing my Mxolisi’s mother, Mandy, as her Madam knows her. The narrative is always very concise and descriptive. The first is just as enticing as the lines that follow. “My son killed your daughter” (Magona, p1). Although the riddle is solved and the readers are not left wondering who did it, this line creates a lot of puzzlement within the reader. Questions about the son but most importantly the mother, which I found to be a brilliant perspective to use for this particular topic. Although the letter ends the style of short and descriptive sentences continue. Professor Magona always reiterated the importance of setting and in this novel it is crucial because the setting is the most influential character. This story is told through the somber and apologetic eyes of a mother who no longer sees potential in her surroundings. It's honesty is refreshing and disheartening at the same time. Which makes for a great timeless read.

1 of 1 people found the following review helpful.
Sometimes it Takes a Death: Mother to Mother - a Book Review
By Tichaona M. Chinyelu
Drawing from the 1993 killing of Amy Biehl in apartheid-era South Africa, Mother to Mother, a novel by Sindiwe Magona, shares with us a different perspective. Literature about murders of white people by black people tend to avoid the women in the killer's life - unless it's framed in terms of pathology. In Native Sun, for instance, the women were silent [as well as the first to be killed]. It is very rare for such women to be allowed to narrate their own life stories. With her quietly powerful novel, Magona has changed that dynamic.

From the author's preface (abbreviated):

Fulbright scholar Amy Elizabeth Biehl was set upon and killed by a mob of black youth in Guguletu, South Africa in August 1993. The outpouring of grief, outrage and support for the Biehl family was unprecedented in the history of the country.

[---]

In my novel, there is only one killer. Through his mother's memories, we get a glimpse of human callousness of the kind that made the murder of Amy Biehl possible. And here I am back in the legacy of apartheid - a system repressive and brutal, that bred senseless inter- and intra-racial violence as well as other nefarious happenings; a system that promoted a twisted sense of right and wrong, with everything seen through the warped prism of the overarching crime against humanity, as the international community labelled it.

The mother, Mandisa, had her oldest child, Mxolisi - the one who, through his actions, catapults her into narration - when she was a 15 year old school girl. It has to be noted that, at the time of her pregnancy. Mandisa was a virgin. The inclusion of an African immaculate conception raises immediate questions concerning Magona's intent. Was it by design - the correlation between Mary and Mandisa and Jesus and Mxolisi. Or was it simply happenstance - a byproduct of the story line? Considering that Mother to Mother is Magona's first novel (although not her first book), the latter might be more legitimate.

The legitimacy of the questions, however. is overshadowed by the undeniable fact that both Mxolisi and Jesus were instrumental in bringing about changes in their respective status quos. As a result of the crucifixion of Jesus, Christianity became a potent force in the world. Subsequent to the killing of Amy Biehl, the death knoll for apartheid - which had been slowly but steadily ringing for decades - increased in volume to the point that it no longer was a "knoll" but a toyi toyi, the martial dance which symbolized the determination of South Africa's majority black population to never again live as a disenfranchised minority.

Going the Jesus route, however, in explaining the murder of Biehl sidesteps the question Mandisa herself asks, over and over again.

What was she doing, vagabonding all over Gugulethu, of all places; taking her foot where she had no business? Where did she think she was going? Was she blind not to see there were no white people in this place?

Or does it? Did Amy Biehl demonstrate a god complex by treading where no white person went? Did she think her presence in South Africa as a well meaning white person assisting with the transition to a democratically elected government would protect her from repercussions of apartheid? Was she so divorced from the harsh reality that produced slogans like one settler, one bullet that she thought it perfectly logically to drive her black companions to Gugulethu?

There will probably never be a definitive answer to such questions. However, Mandisa herself provides a perspective - one that both reinforces the primacy of her life as well as highlights of the consequences of disconnectedness.

Now, your daughter has paid for the sins of the fathers and mothers who did not do their share of seeing that my son had a life worth living.

Mother to Mother (Bluestreak)

0 of 0 people found the following review helpful.
Sad, very sad.
By settledsue@aol.com
At first I wasn't sure I wanted to read this, but I'm glad I did. I learned some things I hadn't known about apartheid and was really drawn into the harsh realities of the lives of the narrator and her family.

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• A beautiful but damaged woman returns home with nothing but vengeance on her mind, and two best friends, one the son of the city's crime kingpin, are caught in the crossfire.
• Brubaker and Phillips get experimental, with three interlinking viewpoints that tell a tragic tale.

• Sales Rank: #203373 in Books
• Published on: 2015-04-07
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .60" w x 6.50" l, .51 pounds
• Binding: Paperback
• 128 pages

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0 of 0 people found the following review helpful.
Another brutal, gory and sexy comic book collection about crooks and the underworld.
By PaulAllard
Reminiscent of his run on Daredevil, Ed Brubaker brings us inter-related stories of drug barons, small-time crooks and the criminal world. A lot of sex, dead bodies, beatings and maimings ensue.

The artwork and story-writing are powerful and I’d recommend this to all lovers of crime stories.

0 of 0 people found the following review helpful.
Ed Brubaker and Sean Phillips Continue to Amaze
By Tim Field
I'm on a tear reading through Brubaker and Phillips' Criminal graphic novel series. I just finished volume three, The Dead and the Dying, which varies the regular format by presenting an anthology of three interrelated character study/stories. Brubaker is amazing in the way that he develops fully developed (and often sympathetic) characters in just a few pages. The Dead and the Dying is no exception as it gives us a boxer sucked into the world of crime, a war veteran who finds true brutality on the home front, and a woman who makes bad choices in men and life.
Highly recommended for gritty stories and tough-as-nails art.

0 of 0 people found the following review helpful.
Four Stars
By 7urtle
great read

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[G142.Ebook] Get Free Ebook A Course on Set Theory, by Ernest Schimmerling

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Set theory is the mathematics of infinity and part of the core curriculum for mathematics majors. This book blends theory and connections with other parts of mathematics so that readers can understand the place of set theory within the wider context. Beginning with the theoretical fundamentals, the author proceeds to illustrate applications to topology, analysis and combinatorics, as well as to pure set theory. Concepts such as Boolean algebras, trees, games, dense linear orderings, ideals, filters and club and stationary sets are also developed. Pitched specifically at undergraduate students, the approach is neither esoteric nor encyclopedic. The author, an experienced instructor, includes motivating examples and over 100 exercises designed for homework assignments, reviews and exams. It is appropriate for undergraduates as a course textbook or for self-study. Graduate students and researchers will also find it useful as a refresher or to solidify their understanding of basic set theory.

• Sales Rank: #10087315 in Books
• Brand: Brand: Cambridge University Press
• Published on: 2011-08-31
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .55" w x 5.98" l, .83 pounds
• Binding: Hardcover
• 178 pages

Features

• Used Book in Good Condition

About the Author
Ernest Schimmerling is a Professor of Mathematical Sciences at Carnegie Mellon University.

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[U841.Ebook] Download Logic Pro X: Audio and Music Production, by Mark Cousins, Russ Hepworth-Sawyer

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From initial demos to mixing and mastering, seasoned authors Mark Cousins and Russ Hepworth-Sawyer show you how to get the most from Logic Pro X. By exploring the essential workflow and the creative possibilities offered by Logic’s virtual instruments and effects, Logic Pro X: Audio and Music Production leads you through the music creation and production process, giving you all the tips and tricks used by the pros to create release-quality recordings.

Using full color screenshots throughout, alongside related boxouts that expand on the key concepts, Logic Pro X: Audio and Music Production is an informative and easy-to-read guide to using Logic Pro X.

Key features include:

Production FAQs – Instructional Walkthroughs and Knowledgebases present information clearly and answer common production–specific problems.

Methods – Professional techniques for recording and editing in Logic Pro X – whether you’re dealing with real musicians or cutting-edge virtual instruments.

Workflow – Use Logic Pro X’s tools and functions in an optimal way.

Website – Access audio examples, samples (Apple Loops), Logic projects, sampler instruments, and instrument patches at www.focalpress.com/cw/cousins

Logic Pro X: Audio and Music Production covers more than just the software; it will help you make the most out of every recording session and will illuminate and inspire your creative and sonic endeavors!

• Sales Rank: #644014 in Books
• Published on: 2014-04-11
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.00" w x 7.40" l, .0 pounds
• Binding: Paperback
• 424 pages

Review

"It seems everything about the application is covered somewhere in the book, from file-saving structures and organisation, to in-depth exploration of the EXS24 sampler; from synthesis and the built-in synthesisers, to working with movie files. And more...here is no better system on offer to musicians wanting to take their song from scratch demo to finished recording than Logic Pro, and this book will help those musicians as well as producers and mixers alike become true Logic ninjas, putting the stress of trying to understand the software behind them." -- Ben Trigg, Musicians' Republic

About the Author

Mark Cousins works as a composer and sound engineer (www.cousins-saunders.co.uk), as well as being a long-serving contributor to MusicTech magazine, where he writes the regular Logic Pro X column. His music is used worldwide on television, radio and film, and has been featured on hit shows like The Apprentice, Top Gear and CSI:NY. As well as having works performed and recorded by the City of Prague Philharmonic Orchestra and the Bulgarian Film Orchestra and Choir, Mark has also had his music used in commercials for McDonald’s, Diet Coke, Stella Artois, Liptons, Strongbow and BT.

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Russ Hepworth-Sawyer is a sound engineer and producer with two decades’ experience of all things audio and is a member of the Association of Professional Recording Services, a Fellow of the RSA (Royal Society for the encouragement of Arts, Manufactures and Commerce), and a board member of the Music Producer’s Guild where he helped form their Mastering Group. Through MOTTOsound (www.mottosound.co.uk), Russ works freelance in the industry as a mastering engineer, writer, and consultant. Russ currently lectures part-time for York St John University and has taught extensively in Higher Education institutions in the UK. He has written for MusicTech Magazine, Pro Sound News Europe and Sound On Sound and has written many titles for Focal Press.

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0 of 0 people found the following review helpful.
Essential to Fully Understand What You Can Do With Logic Pro X
By Man in the Street
Mark Cousins, along with Russ Hepworth-Sawyer, bowled me over with Logic Pro 9. It was excellent, so I picked up Logic Pro X as soon as I became aware it was available. I was not disappointed. Logic Pro X is very well done, but don't expect simple explanations. The writing is clear and concise, and only for the serious, not those wanting to throw some beats at the wall while hoping they stick. Logic Pro is a comprehensive DAW (Digital Audio Workstation) that requires comprehensive explanations. Though Logic Pro 9 contained more than a few editorial errors, I've yet to find a mistake in Logic Pro X. Messrs. Cousins and Hepworth-Sawyer--each thoroughly ensconced in the British music industry as composer (Cousins), sound engineers, and producer (Hepworth-Sawyer)--deliver, in language that sparkles with precision, passion, and aha-I've-got-it-now clarity.

0 of 0 people found the following review helpful.
I simply love it! I've already gotten my money's worth in ...
By Lillian Moss
I simply love it! I've already gotten my money's worth in about two months since I use it almost every day. It's very easy to use once you learn how. Many things are self explanatory but I did get a book and video to help me with the more complicated stuff.

0 of 0 people found the following review helpful.
Could have been better
By Sprkymrt
Wasn't as helpful to me as I had hoped. As with most books, the index was too small and it is more suited to the "rock" crowd.

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