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The Craftsman, by Richard Sennett
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Craftsmanship, says Richard Sennett, names the basic human impulse to do a job well for its own sake, and good craftsmanship involves developing skills and focusing on the work rather than ourselves. The computer programmer, the doctor, the artist, and even the parent and citizen all engage in a craftsman’s work. In this thought-provoking book, Sennett explores the work of craftsmen past and present, identifies deep connections between material consciousness and ethical values, and challenges received ideas about what constitutes good work in today’s world. The Craftsman engages the many dimensions of skill—from the technical demands to the obsessive energy required to do good work. Craftsmanship leads Sennett across time and space, from ancient Roman brickmakers to Renaissance goldsmiths to the printing presses of Enlightenment Paris and the factories of industrial London; in the modern world he explores what experiences of good work are shared by computer programmers, nurses and doctors, musicians, glassblowers, and cooks. Unique in the scope of his thinking, Sennett expands previous notions of crafts and craftsmen and apprises us of the surprising extent to which we can learn about ourselves through the labor of making physical things.
- Sales Rank: #142746 in Books
- Brand: Sennett, Richard
- Published on: 2009-03-31
- Original language: English
- Number of items: 1
- Dimensions: 9.14" h x .86" w x 6.18" l, .81 pounds
- Binding: Paperback
- 336 pages
- Yale University Press
From Publishers Weekly
With this volume, author and sociologist Sennett (The Culture of the New Capitalism) launches a three-book examination of "material culture," asking "what the process of making concrete things reveals to us about ourselves." Taking in everything from Pandora and Hephaestus to Linux programmers, Sennett posits that the spirit of craftsmanship-an "enduring, basic human impulse, the desire to do a job well for its own sake"-is tragically lacking in many areas of the industrialized world. Craftsmanship, by combining skill, commitment and judgment, establishes a close relationship between head and hand, man and machine, that Sennett asserts is vital to physical, mental and societal well-being; the symptoms of craftsmanship-deficiency can be found in worker demoralization, inefficiency and waning loyalty from both employees and employers, as well as other (largely institutional) effects. Sennett looks at the evolution of craftsmanship and the historical forces which have stultified it, how it's learned in the areas it still thrives (among scientists, artists, cooks, computer programmers and others), and issues of quality and ability (skill, not talent, makes a craftsman). Sennett's learned but inclusive prose proves entirely readable, and the breadth of his curiosity-delving into the minds behind the Manhattan project, touring Soviet suburbs, examining the methods of Julia Childs-take him in a number of fascinating directions.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
Sennett considers an array of artisans across different periods, from ancient Chinese chefs to contemporary mobile-phone designers, in this powerful meditation on the "skill of making things well." The template of craftsmanship, he finds, combines a "material consciousness" with a willingness to put in years of practice (a common estimate of the time required to master a craft is ten thousand hours) and a strategic acceptance of ambiguity, rather than an obsessive perfectionism. Sennett’s aim is to make us rethink the notion that society benefits most from a workforce trained to respond to the metamorphoses of a global economy. Ultimately, he writes, the difficulties and possibilities of craft can teach "techniques of experience" that help us relate to others, and lead to an "ethically satisfying" pride in one’s work.
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Review
'Richard Sennett is a prime observer of society ... one of his great strengths, the thing that makes his narrative so gripping, is the sheer range of his thinking and his brilliance in relating the past to the present' - Fiona MacCarthy, The Guardian 'A lifetime's learning has gone into this book ... Sennett writes beautifully' - Roger Scruton, Sunday Times
Most helpful customer reviews
4 of 4 people found the following review helpful.
A complex but very rewarding read about craftsmanship, pride ...
By Marc Samida
A complex but very rewarding read about craftsmanship, pride in one's work and the differences between individual work and mechanical production, and the intellectual investment in the former versus the more mechanistic approach in the latter.
Sennet uses many examples from the world of music to illustrate his thesis and he finishes with an explanation of the philosophical underpinnings of his ideas, pragmatism in this case.
This book has an extensive index and bibliography and his examples are well-chosen and illustrative and evidence of his wide understanding of the matter. Not a book to read on the beach or a plane or even at home in a week or so. It requires time and patience and is rewarding even when dipping into individual sections but the real benefit comes with the final section brings together the threads and leaves the (this) reader with much more understanding of this field of human endeavour than one had before.
8 of 8 people found the following review helpful.
An Important Re-framing of an Old Idea
By J. V. Lewis
Richard Sennett has been one of my most-preferred interpreters of physical and social culture since Flesh and Stone. He tackles issues that got trampled by misapplications of lit-crit and semiotic theory over the last few decades, and manages to get them back into the discussion. He has a rather dogged style: history, explication, and journalistic fairness are treated like responsibilities in language that is mostly quite dry, even bland. But what he lacks in vivacity, he more than covers with solid, methodical argumentation and a heartening tendency to broaden concepts and include the truly modern. In this volume, for example, Sennett adds Linux programming to the list of what we normally think of as craft, and I think he makes his case. Craft is a wicked thicket for us Moderns: we have not kept pace with its devaluation in an age of competitive production and disposable workers, and the quality of our handwork has suffered, but Sennett also convinces me that our comprehension of the world and the place of humans in it has suffered, because good craft is the meeting of mind and hand. What devalues handwork impoverishes the human mind. We lose our capacity for imagination.
I read this book very closely, pencil in hand, convinced that Sennett has contributed greatly to our understanding of what it means to be human in a machine age. I believe that his work has eclipsed Hannah Arendt's by now. Excellent.
1 of 1 people found the following review helpful.
The Makers of the Made World
By Amazon Customer
This is a primary source for the study of Material Culture, and a reminder that not long ago the means of production were dependent upon the skill and mindset of a person that had spent a disciplined life in pursuit of making things well.
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